A there to enrich the world, provide background for scenes, and move the plot forward. Even though they are technically plot devices, we can pretend they’re not. There are a few ways to do this Bring them into scenes naturally. Make it make sense for the character to be wherever they are, doing whatever they’re doing. Giving them their own personal reason to be there can make it seem less like they’re a tool for the story Make them distinct.
Besides giving recurring minor El Salvador Phone Number characters distinct names and descriptions to help the reader remember them, making them distinct can make them feel less like a plot tool. You might make their description interesting and vivid, they might be doing something peculiar, or they might just be a weird person. Give them an unexpected trait. If the professor who asks the protagonist about their late homework looks like your average professor and speaks in a monotone, I’m yawning.
Leave your minor characters until the first draft is done. Before you apply any of these tips to your characters, let them chill for the first draft. You might combine, remove, or expand upon characters in later drafts, but worry about that when the time comes. We do need plot devices, but we can cover our tracks with them later. Focusing on erasing the trail before we’ve finished the journey will just confuse the whole process.